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In , Gustave Caillebotte was a law student and was living in Paris on the corner of rue de Lisbonne and rue de Miromesnil, not far from the Gare Saint-Lazare. After the Franco-Prussian war of , he chose to devote his time to a career in art after being recruited by Degas and Monet. This point, in which six streets converge, was an important center of activity for all the social classes. Caillebotte was fascinated by light and space and included these elements in his paintings.
Neither flaneur addresses the other. Each is a symbol of the modernity of Paris, going about their daily routines. On the left, one can see the newly built opera house by Charles Garnier where Phantom of the Opera took place. This blue-gray monochrome tableau creates a fusion of man and metal, representing the world of commerce and industrialization.
Caillebotte also uses the anonymous characters in this painting to represent the different social classes who frequent this new area of Paris. Even though each man is separately involved in his own life of work, leisure, or social engagements, two of them are transfixed by these symbols of progress. I imagine the man in the top hat to start up a conversation with the ouvrier at any minute, perhaps about a trip he plans to take by train to Normandy to see his family. The Gare Saint-Lazare has now made that a real possibility!
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